Series of illustrations for an editorial and interview with comedian Neal Brennan.
Photos by Chris Lim and Eugene Kan.
Read the story here.
A new decades-long study solidifies that women in leadership directly affect the bottom line of public companies. For Institutional investor.
Part of the “Around The World with Jay Dee” series for Splice — a tribute to J Dilla’s legacy of sampling music from every genre and corner of the world.
Part of the “Around The World with Jay Dee” series for Splice — a tribute to J Dilla’s legacy of sampling music from every genre and corner of the world.
Personal
Part of the “Around The World with Jay Dee” series for Splice — a tribute to J Dilla’s legacy of sampling music from every genre and corner of the world.
Personal
A series of 9 spot illustrations in comic form for a piece entitled “18 Signs You Were An Institutional Investor In 2018”.
Daily artwork produced for Institutional Investor across various sections.
1) Infrastructure fundraising on a major tear
2) Murky charitable donations,
3) The stock market tanking in Q4 2018
4) Liquidity risks in the bond market,
5) Studying endowments closely
For The New York Times Open, about supporting AR in the NYT Android app.
Read the piece here.
Personal, based off Anna Rose Holmer's 2016 film "The Fits" starring Royalty Hightower.
Chosen for the Communication Arts 2017 Illustration Competition Shortlist.
From NEW BODIES, my 2018 risograph project.
A representation of the feeling of being in an identity crisis.
Personal — 2018
Image from the illustrated zine, Slackjaw. To review the entire publication, click here.
Full colour and alternate composition included.
Personal
Part of the “Around The World with Jay Dee” series for Splice — a tribute to J Dilla’s legacy of sampling music from every genre and corner of the world.
Cover Illustration for The Globe & Mail Life Section on a story about a Canadian company attempting to increase empathy for victims of Parkinson's disease through the use of a groundbreaking device.
You can read the article here.
Art for the Globe & Mail Opinion — for a Father’s Day op-ed entitled “How Becoming A Father Taught Me How To Be A Son” by Canadian writer Mark Sakamoto.
Alternate and final version.
You can read the story here.
Part of the “Around The World with Jay Dee” series for Splice — a tribute to J Dilla’s legacy of sampling music from every genre and corner of the world.
NEW BODIES is a series of 10 illustrations focused around an exploration into fashion silhouettes and provocative portraiture. Each piece was created with the risograph process in mind and was printed locally in Toronto by Vide Press.
A short teaser trailer and accompanying product photography was done by Worker Bee Supply. You can purchase the set at my shop here.
Winner of the 2018 Applied Arts Young Blood Award in Illustration.
Part of the “Around The World with Jay Dee” series for Splice — a tribute to J Dilla’s legacy of sampling music from every genre and corner of the world.
Personal [2018]
Image from the illustrated zine, Slackjaw. To review the entire publication, click here.
Illustration for The New York Times Sunday Business.
Depicts the volatility of the emerging markets and the importance of perseverance in times of doubt for investors.
Read the full story by Paul Lim here.
From NEW BODIES, my 2018 risograph project.
One of my favourite exercises in melding portraiture with abstraction.
Art for the Globe & Mail "Summer Reading" series — for an upcoming novel by Nicolas Dickner entitled Six Degrees of Freedom.
You can read the story here.
From NEW BODIES, my 2018 risograph project.
A dramatized footwear fetish with the Visvim 7 Hole 73-Folk boot.
Art for the Globe & Mail "Summer Reading" series — for an upcoming novel by Shari Lapena entitled A Stranger In The House.
You can read the story here.
From NEW BODIES, my 2018 risograph project.
An ode to the "dad-shoe" trend of 2017, epitomized by some in the form of the Eytys Angel sneaker.
From NEW BODIES, my 2018 risograph project.
How I imagine co-dependent Instagram vanity feels like the moment before you press the shutter.
Image from the illustrated zine, Slackjaw. To review the entire publication, click here.
From NEW BODIES, my 2018 risograph project.
Further abstraction in portraiture, particularly around the idea of split-personalty and the Roman god, Janus.
Movie poster for the 1977 Dario Argento film “Suspiria”. Exhibited as part of the COMING SOON group show at Northern Contemporary Gallery.
From NEW BODIES, my 2018 risograph project.
Can nature and high-end technology co-exist in artistic harmony?
