Personal
Image from the illustrated zine, Slackjaw. To review the entire publication, click here.
Full colour and alternate composition included.
Art for the Globe & Mail Opinion — for a Father’s Day op-ed entitled “How Becoming A Father Taught Me How To Be A Son” by Canadian writer Mark Sakamoto.
Alternate and final version.
You can read the story here.
Personal [2018]
Movie poster for the 1977 Dario Argento film “Suspiria”. Exhibited as part of the COMING SOON group show at Northern Contemporary Gallery.
Series of illustrations for an editorial and interview with comedian Neal Brennan.
Photos by Chris Lim and Eugene Kan.
Read the story here.
Image from the illustrated zine, Slackjaw. To review the entire publication, click here.
NEW BODIES is a series of 10 illustrations focused around an exploration into fashion silhouettes and provocative portraiture. Each piece was created with the risograph process in mind and was printed locally in Toronto by Vide Press.
A short teaser trailer and accompanying product photography was done by Worker Bee Supply. You can purchase the set at my shop here.
Winner of the 2018 Applied Arts Young Blood Award in Illustration.
From NEW BODIES, my 2018 risograph project.
One of my favourite exercises in melding portraiture with abstraction.
Art for the Globe & Mail "Summer Reading" series — for an upcoming novel by Nicolas Dickner entitled Six Degrees of Freedom.
You can read the story here.
From NEW BODIES, my 2018 risograph project.
A dramatized footwear fetish with the Visvim 7 Hole 73-Folk boot.
Illustration for The New York Times Sunday Business.
Depicts the volatility of the emerging markets and the importance of perseverance in times of doubt for investors.
Read the full story by Paul Lim here.
From NEW BODIES, my 2018 risograph project.
An ode to the "dad-shoe" trend of 2017, epitomized by some in the form of the Eytys Angel sneaker.
From NEW BODIES, my 2018 risograph project.
How I imagine co-dependent Instagram vanity feels like the moment before you press the shutter.
From NEW BODIES, my 2018 risograph project.
A representation of the feeling of being in an identity crisis.
Image from the illustrated zine, Slackjaw. To review the entire publication, click here.
From NEW BODIES, my 2018 risograph project.
Further abstraction in portraiture, particularly around the idea of split-personalty and the Roman god, Janus.
From NEW BODIES, my 2018 risograph project.
Can nature and high-end technology co-exist in artistic harmony?
From NEW BODIES, my 2018 risograph project.
A projection of myself in silhouettes of FW17 clothing.
Cover Illustration for The Globe & Mail Life Section on a story about a Canadian company attempting to increase empathy for victims of Parkinson's disease through the use of a groundbreaking device.
You can read the article here.
Art for the Globe & Mail "Summer Reading" series — for an upcoming novel by Michael Redhill entitled Bellevue Square.
You can read the story here.
Art for the Globe & Mail "Summer Reading" series — for an upcoming novel by Shari Lapena entitled A Stranger In The House.
You can read the story here.
Art for the Globe & Mail "Summer Reading" series — for an upcoming novel by Adam Sternbergh entitled The Blinds.
You can read the story here.
Image from the illustrated zine, Slackjaw. To review the entire publication, click here.
Full colour and black-and-white versions included.
Image from the illustrated zine, Slackjaw. To review the entire publication, click here.
An illustrated zine about the experience of watching a movie, told from the perspective of a film lover.
• 24 pages
• Printed in 3-colour risograph
• Self-published
